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Thomas Nast (1840-1902)
America's foremost political
cartoonist and the creator of the
image of Santa Claus as we know him today.
In 1863, political
cartoonist Thomas Nast began a series of annual drawings
in Harper's Weekly which were based on the descriptions
found in the poem and Washington Irving's work |
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Thomas Nast the son of a Bavarian army bandsman, was
born in 1840 in Landau, in the Refinish
Palatinate. Nast was brought to United States at a age
of six in 1846; grew up in New York City. Before he
learned English he was able to express himself with
simple drawings on his slate. His artistic talent
enabled him to enter an art school at an early age, but
he had to leave at fifteen in order to support his
family. After studying with Theodore Kaufmann and Alfred
Fredericks, and in the school of the National Academy .
Upon his first interview he was immediately hired as
illustrator for Leslie's Weekly Illustrated Newspaper
(1855) at four dollars per week.
He
began his career with a cartoon attacking civic
corruption. In 1860, at the age of 20, he covered a
heavyweight championship in London for the New York
Illustrated News. From there he joined the forces of
Garibaldi in Italy as war correspondent. With the
outbreak of the American Civil War, he returned to the
United States, where he married his fiancée Sarah
Edwards, a well-educated young lady who contributed in
no small measure to her husband's success. In the spring
of 1862 Nast joined the staff of Harper's Weekly as
Civil War correspondent visiting the battlefields in the
South and the Border States and sending back
on-the-scene sketches. At the end of the war, Nast had
become a nationally known figure as political
cartoonist. From now on he took up nearly every national
issue of political and social significance. Nast was a
champion of the underprivileged and a protagonist of
equal rights for all citizens - not only for the newly
freed Negro slaves, but for other minority groups as
well, such as the American Indians. He also took sides
with the Chinese after their immigration had been
restricted. He criticized the administration, which
pretended to serve "the public good", lampooned bigotry
in the Catholic Church, dealt with economic and monetary
issues and made Victoria Woodhull and her theories of
"Free Love" the receptacle for his stinging irony.
Between 1861 and 1884, Thomas Nast and Harper's Weekly
were considered bulwarks of Republicanism and Nast's
greatest influence was obviously in politics. He was
even called the "president maker", since every
presidential candidate whom he supported was elected.
Nast popularized several political symbols: the
Democratic donkey, the Republican elephant the Tammany
tiger. He also gave us our present-day conception of
Uncle Sam, John Bull and Columbia. The figure Nast drew,
which was based on Pelznikel, the St. Nicholas of his
German ancestors, is the famous Santa Claus, now known
to everybody in the country. After the death of Nast's
friend and supporter Fletcher Harper, a younger
generation of editors changed the policy of the
magazine. It became less liberal and Nast's career
declined. Not willing to tolerate any censorship, Nast
thought that after more than twenty-five years of work,
it was time to travel, to rest and to devote more of his
hours to his family. He put together a collection of
Christmas drawings, which were published in 1890 under
the title, Thomas Nast's Christmas Drawings for the
Human Race.

When one of his cherished plans, publishing his own
magazine, failed, he fell into debt. Therefore he
accepted an appointment as Consul General to Ecuador,
offered to him by one of his old admirers, Theodore
Roosevelt. But the tropical heat and the unsanitary
living conditions in Ecuador were too much for the
sixty-two-year-old artist. On December 7, 1902, he
succumbed to an epidemic of yellowfever - not without
having paid back his debts and leaving some money for
his family.
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